|Fanny and Felix Mendelssohn relied on each other to shape their very different musical careers.|
Musical talent tends to run in families. Think of Ann and Nancy Wilson of Heart, Rufus and Martha Wainwright, Colin and Jonny Greenwood of Radiohead, or The Jackson 5.
But long before those musical siblings, there were the Mendelssohns — Felix and Fanny, the subjects of a new album by the versatile Ebène Quartet from Paris.
The Mendelssohns grew up making music together in Berlin at the beginning of the 19th century. Felix, younger by four years, became one of history's most brilliant composers. Fanny, a strong-willed pianist but worried about her worth as a composer, has been neglected. Still, as Felix's career soared and Fanny struggled to publish her pieces, the two remained close.
"The connection between Fanny and Felix was more than brother and sister," Ebène cellist Raphaël Merlin says. "It was almost soul mates."
Other than playing and conducting in salon settings, Fanny made just one public appearance, as soloist in her brother's First Piano Concerto at a benefit concert. Very little of her music was published in her lifetime, and much of it today remains privately owned.
Fanny died suddenly of a stroke at age 41, in 1847. Felix was crushed, and Herzog says you can hear the pain he poured into the String Quartet No. 6 in F minor, completed in September of that year.
"Felix Mendelssohn's music is always a joy. He's an optimistic guy," Herzog says. "In this quartet you feel immediately that there's something strange. You will be shocked by music with so much power and drama."
"And violence," Merlin adds.
Felix referred to the quartet as his "Requiem for Fanny." He would die two months later, at 38, after a series of strokes. He was buried next to his sister in Berlin.
"We think he died of sadness," Herzog says.
Listen to String Quartet in E-flat: Allegro molto vivace