Bizarre Musical Instruments
Since the advent of electronic instruments and the need by composers to produce unique and new sounds, many unusual instruments have been invented or restored to life. This is a list of the ten most bizarre instruments.
Aeolian Harp
The Aeolian Harp is a musical instrument that is “played” by the wind. It is named for Aeolus, the ancient Greek god of the wind. Aeolian harps were very popular as household instruments during the Romantic Era, and are still hand-crafted today. Some are now made in the form of monumental metal sound sculptures located on the roof of a building or a windy hilltop. The clip is a contemporary version – with a wind turbine provided the rhythm. The constant unchanging sound in the background is the Aeolian harp.
Ondes Martenot
The Ondes Martenot is an early electronic musical instrument with a keyboard and slide, invented in 1928 by Maurice Martenot and originally very similar in sound to the Theremin. The sonic capabilities of the instrument were subsequently expanded by the addition of filter banks and switchable loudspeakers. The instrument is especially known for its eerie wavering notes produced by the thermionic valves that produce oscillating frequencies. The ondes Martenot has been used by many composers, most notably Olivier Messiaen.
Theremin
The Theremin is one of the earliest fully electronic musical instruments. It was invented by Russian inventor Léon Theremin in 1919, and it is unique in that it was the first musical instrument designed to be played without being touched. It consists of two radio frequency oscillators and two metal antennas. The electric signals from the theremin are amplified and sent to a loudspeaker.
The Glass Armonica
The glass harmonica, also known as glass armonica, ‘”hydrocrystalophone” or simply armonica (derived from “armonia”, the Italian word for harmony) is a type of musical instrument that uses a series of glass bowls or goblets graduated in size to produce musical tones by means of friction, making it both a crystallophone and a friction idiophone). This mechanical version was invented by Benjamin Franklin.
Gravikord
The gravikord is an electric double harp invented and patented by Robert Grawi in 1986. It is modeled after the 21 string West African kora. It is made of welded stainless steel tubing, with 24 nylon strings but no resonating gourd or skin. The bridge is a synthetic material designed very differently from the kora and the range of pitches is greater. While the hands are in a more ergonomic and natural position to the strings, the playing technique is similar to that of the kora: the player plucks the strings with the thumb and index finger of each hand.
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Music makes everything better!
Music makes everything better! It can relieve pain, reduces stress,
makes you work harder, and helps you relax. Music is one of life's most
beautiful gifts.
To quote Jimi Hendrix:
Research has shown singing can improve your health, increase happiness and even extend your life!
No matter who or where you are, you can reap the many benefits of music by singing along to some tunes! Sing wherever you are.
Singing is even good for your brain and can make you feel high. It releases endorphins, hormones that produce pleasure, simultaneous to oxytocin, hormones that diminish stress and anxiety.
Oxytocin also decreases feelings of depression and loneliness, making us feel more connected with the world, which is precisely why singing with other people feels even better!
A study done by scientists at the University of Gothenburg in Sweden found people who sing together become so connected they exhibit synchronized heartbeats.
Anyone who has ever been in choir can attest to this. When the magical sound of several people singing together is created, there is an unexplained unity between those singing.
Singing also requires deep concentration on breathing, which works major muscle groups in the upper body and is great for both lung and cardiovascular health.
Björn Vickhoff, the leader of the study, stated:
Therefore, one could make the argument that singing is better for you than doing yoga!
Research has also proven that singing produces lower levels of cortisol, reducing stress while improving our immune systems.
Lastly, a joint study from Harvard and Yale Universities in 2008 found singing increases life expectancy. If you want to feel less stressed, become happier, and live longer: Start singing!
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To quote Jimi Hendrix:
Music doesn't lie. If there is something to be changed in this world, then it can only happen through music.One of the best ways to capture the benefits of music is through singing. It allows you to truly feel the song with your mind, body, and soul.
Research has shown singing can improve your health, increase happiness and even extend your life!

No matter who or where you are, you can reap the many benefits of music by singing along to some tunes! Sing wherever you are.
Singing is even good for your brain and can make you feel high. It releases endorphins, hormones that produce pleasure, simultaneous to oxytocin, hormones that diminish stress and anxiety.
Oxytocin also decreases feelings of depression and loneliness, making us feel more connected with the world, which is precisely why singing with other people feels even better!
A study done by scientists at the University of Gothenburg in Sweden found people who sing together become so connected they exhibit synchronized heartbeats.

Anyone who has ever been in choir can attest to this. When the magical sound of several people singing together is created, there is an unexplained unity between those singing.
Singing also requires deep concentration on breathing, which works major muscle groups in the upper body and is great for both lung and cardiovascular health.
Björn Vickhoff, the leader of the study, stated:
Song is a form of regular, controlled breathing, since breathing out occurs on the song phrases and inhaling takes place between these. It gives you pretty much the same effect as yoga breathing. It helps you relax, and there are indications that it does provide a heart benefit.
Therefore, one could make the argument that singing is better for you than doing yoga!
Research has also proven that singing produces lower levels of cortisol, reducing stress while improving our immune systems.
Lastly, a joint study from Harvard and Yale Universities in 2008 found singing increases life expectancy. If you want to feel less stressed, become happier, and live longer: Start singing!
Read more
The Relationship Between Music and Science
Music is both an art and a science, and music and science are closely related. Both use mathematical principles and logic, blended with creative thinking and inspiration to arrive at conclusions that are both enlightening and inspirational. It could be said that Science is the music of the intellect, and Music is the science of the heart.
Music is Math
Music composition is basically a mathematical exercise. From a basic source of sounds, rhythms and tempos, an infinite variety of musical expressions and emotions can be produced. It is the interaction of sounds, tempo, and pitch that creates music, just as the interaction of known facts and knowledge coupled with imagination, conjecture and inspiration produces new scientific discoveries. Both Science and Music use “formulas” and “theories” to solve problems, and to explore the intangible mysteries of life.
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Music is as complex and varied as any scientific principle or theory |
Some have postulated that music is the father of mathematics. To make music, you must know how to break “sound” into elements of pitch, rhythm and tempo. Science teaches us that sound is vibration, and the frequency of vibration is what makes different sounds. Music then is the study of the sound created by those vibrations, and puts them into patterns that elicit emotion. Music is based on mathematics. And mathematicians view mathematics as “music for the intellect”. Their joy in a perfect mathematical solution or theorem is as inspiring to them as a Bach Cantata.
Music Makes Us Human
But music is not just an arranged set of noises pleasant to the ear. Music is a bridge that spans the gap between cultures and languages. Music is a means of finding compatibility within a society, as well as a link with other societies. Music has the ability to progress past science.
Music is the common human denominator. All cultures have it. All cultures share it. There are many scientific theories about music and it’s origins, but a purely scientific explanation of music misses the point. Music is emotion. Music is an unexplainable manifestation that is uniquely human. Birds “sing”, but do they weep or cheer as they march to war at the sound of it?
Music is a force that can unite humans even as they are separated by distance and culture. Science can explain many things, but science alone cannot create them. Science can explain music, but only intellect and emotion can create it.
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Amazing Women in Classical Music History
All pioneering and inspiring in their stories and music.
Ethel Smyth
One of this country's greatest composers was an English composer from Sidcup, Kent in 1858. Her father was opposed to her pursuing a career in music, but Smyth was determined to make it as a composer and her studies led her all the way to the prestigious Leipzig Conservatory. Her compositions include works for voice, piano, chamber groups and orchestra. In 1910 she joined the women’s suffrage movement and her composition The March of the Women became the anthem of movement. Smyth was awarded Damehood in 1922 - the first female composer ever to receive such an honour.
Teresa Carreño
Teresa Carreño was a pianist, singer, composer and conductor born in Caracas, Venezuela in 1853. Her father was from a very musical family and gave her music lessons from an early age and was quite the prodigy. Over her life she became a world renowned pianist and composed around 75 pieces for voice, piano, choir, orchestra and instrumental ensemble. She also sang roles in operas like Don Giovanni, Les Huguenots and many more. What a star.
Marianna Martines
Let's go back to Vienna in 1744 where an exceptional pianist, singer and composer was born. Marianna Martines took keyboard lessons from none other than Joseph Haydn (you'd want to do you practise with a teacher like that). She soon began to show a talent for composition and took lessons with Imperial Court composer Giuseppe Bonno. As her music became more well known she joined the Accademia Filarmonica of Bologna in 1773 and really indulged in the Italian style (it was very fashionable at the time). Her compositions included two oratorios in Italian as well as a number of cantatas, motets and masses - and here's one of her sonatas.
Isabella Leonarda
Isabella Leonarda was a composer from Novara, Italy. She entered the Collegio di Sant'Orsola, an Ursuline convent, at the age of 16 and remained there for the rest of her life. Her compositions spanned almost every genre of sacred music, including psalms, responsories and Magnificats. She was also the first woman to publish sonatas, writing many in her lifetime. Listen to her 'Sonata duodecima' for violin solo and continuo - it's just stunning.
Elisabeth Jacquet de la Guerre
Elisabeth Jacquet de la Guerre was a French harpsichordist and composer, born in Paris in 1665, into a wonderful (and possibly quite noisy) family of musicians and instrument-makers. She received her music education as a child from her father, performing to King Louis XIV at a young age. As a teenager her education was overseen by the king’s mistress in the French court. After her marriage in 1684 she taught, performed around Paris and composed opera and ballet. Her opera Céphale et Procris was the first opera to be published by a woman in France.
Augusta Browne
This American composer and author was born in Dublin, Ireland in 1820 and crossed the Atlantic with family when she was a child. She gained fame in the mid-1800s as part of the first wave of female composers in the US. She liked to compose music that would be enjoyed by the masses, writing over 200 works for piano and voice in addition to numerous hymns and secular pieces. She was also a rather outspoken writer and music critic.
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Ethel Smyth
One of this country's greatest composers was an English composer from Sidcup, Kent in 1858. Her father was opposed to her pursuing a career in music, but Smyth was determined to make it as a composer and her studies led her all the way to the prestigious Leipzig Conservatory. Her compositions include works for voice, piano, chamber groups and orchestra. In 1910 she joined the women’s suffrage movement and her composition The March of the Women became the anthem of movement. Smyth was awarded Damehood in 1922 - the first female composer ever to receive such an honour.
Teresa Carreño
Teresa Carreño was a pianist, singer, composer and conductor born in Caracas, Venezuela in 1853. Her father was from a very musical family and gave her music lessons from an early age and was quite the prodigy. Over her life she became a world renowned pianist and composed around 75 pieces for voice, piano, choir, orchestra and instrumental ensemble. She also sang roles in operas like Don Giovanni, Les Huguenots and many more. What a star.
Marianna Martines
Let's go back to Vienna in 1744 where an exceptional pianist, singer and composer was born. Marianna Martines took keyboard lessons from none other than Joseph Haydn (you'd want to do you practise with a teacher like that). She soon began to show a talent for composition and took lessons with Imperial Court composer Giuseppe Bonno. As her music became more well known she joined the Accademia Filarmonica of Bologna in 1773 and really indulged in the Italian style (it was very fashionable at the time). Her compositions included two oratorios in Italian as well as a number of cantatas, motets and masses - and here's one of her sonatas.
Isabella Leonarda
Isabella Leonarda was a composer from Novara, Italy. She entered the Collegio di Sant'Orsola, an Ursuline convent, at the age of 16 and remained there for the rest of her life. Her compositions spanned almost every genre of sacred music, including psalms, responsories and Magnificats. She was also the first woman to publish sonatas, writing many in her lifetime. Listen to her 'Sonata duodecima' for violin solo and continuo - it's just stunning.
Elisabeth Jacquet de la Guerre
Elisabeth Jacquet de la Guerre was a French harpsichordist and composer, born in Paris in 1665, into a wonderful (and possibly quite noisy) family of musicians and instrument-makers. She received her music education as a child from her father, performing to King Louis XIV at a young age. As a teenager her education was overseen by the king’s mistress in the French court. After her marriage in 1684 she taught, performed around Paris and composed opera and ballet. Her opera Céphale et Procris was the first opera to be published by a woman in France.
Augusta Browne

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Happy Birthday Clara Schumann
Composing gives me great pleasure... there is nothing that surpasses
the joy of creation, if only because through it one wins hours of
self-forgetfulness, when one lives in a world of sound.
Clara Schumann was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms.
Clara Schumann had a brilliant career as a pianist from the age of 13 up to her marriage. Her marriage to Schumann was opposed by her father. She continued to perform and compose after the marriage even as she raised seven children.
In the various tours on which she accompanied her husband, she extended her own reputation further than the outskirts of Germany, and it was thanks to her efforts that his compositions became generally known in Europe. Johannes Brahms, at age 20, met the couple in 1853 and his friendship with Clara Schumann lasted until her death. J. Brahms helped Clara Schumann through the illness of her husband with a caring that bordered on love. Later that year, she also met violinist Joseph Joachim who became one of her frequent performance partners. Clara Schumann is credited with refining the tastes of audiences through her presentation of works by earlier composers including those of Bach, Mozart, and Beethoven as well as those of Robert Schumann and J. Brahms.
Although for many years after her death Clara Schumann was not widely recognized as a composer, as a pianist she made an impression which lasts until today. She was one of the first pianists to perform from memory, making that the standard for concertizing. Trained by her father to play by ear and to memorize, she gave public performances from memory as early as age thirteen, a fact noted as something exceptional by her reviewers.
She was also instrumental in changing the kind of programs expected of concert pianists. In her early career, before her marriage to Robert, she played what was then customary, mainly bravura pieces designed to showcase the artist's technique, often in the form of arrangements or variations on popular themes from operas, written by virtuosos such as Thalberg, Herz, or Henselt. And, as it was also customary to play one's own compositions, she included at least one of her own works in every program, works such as her Variations on a Theme by Bellini (Op. 8) and her popular Scherzo (Op. 10). However, as she became a more independent artist, her repertoire contained mainly music by leading composers.
Clara Schumann, "one of the most soulful and famous pianists of the day", according to Edvard Grieg
Clara Schumann's influence also spread through her teaching, which emphasized a singing tone and expression, with technique entirely subordinated to the intentions of the composer. One of her students, Mathilde Verne, carried her teaching to England where she taught, among others, Solomon; while another of her students, Carl Friedberg, carried the tradition to the Juilliard School in America, where his students included Malcolm Frager and Bruce Hungerford.
Clara was also instrumental in getting the works of Robert Schumann recognized, appreciated and added to the repertoire. She promoted him tirelessly, beginning when his music was unknown or disliked, when the only other important figure in music to play Schumann occasionally was Liszt, and continuing until the end of her long career.
— Clara Schumann
Clara Schumann was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and the tastes of the listening public. Her husband was the composer Robert Schumann. Together they encouraged Johannes Brahms. She was the first to perform publicly any work by Brahms.
Clara Schumann had a brilliant career as a pianist from the age of 13 up to her marriage. Her marriage to Schumann was opposed by her father. She continued to perform and compose after the marriage even as she raised seven children.
In the various tours on which she accompanied her husband, she extended her own reputation further than the outskirts of Germany, and it was thanks to her efforts that his compositions became generally known in Europe. Johannes Brahms, at age 20, met the couple in 1853 and his friendship with Clara Schumann lasted until her death. J. Brahms helped Clara Schumann through the illness of her husband with a caring that bordered on love. Later that year, she also met violinist Joseph Joachim who became one of her frequent performance partners. Clara Schumann is credited with refining the tastes of audiences through her presentation of works by earlier composers including those of Bach, Mozart, and Beethoven as well as those of Robert Schumann and J. Brahms.
Although for many years after her death Clara Schumann was not widely recognized as a composer, as a pianist she made an impression which lasts until today. She was one of the first pianists to perform from memory, making that the standard for concertizing. Trained by her father to play by ear and to memorize, she gave public performances from memory as early as age thirteen, a fact noted as something exceptional by her reviewers.
She was also instrumental in changing the kind of programs expected of concert pianists. In her early career, before her marriage to Robert, she played what was then customary, mainly bravura pieces designed to showcase the artist's technique, often in the form of arrangements or variations on popular themes from operas, written by virtuosos such as Thalberg, Herz, or Henselt. And, as it was also customary to play one's own compositions, she included at least one of her own works in every program, works such as her Variations on a Theme by Bellini (Op. 8) and her popular Scherzo (Op. 10). However, as she became a more independent artist, her repertoire contained mainly music by leading composers.
Clara Schumann, "one of the most soulful and famous pianists of the day", according to Edvard Grieg
Clara Schumann's influence also spread through her teaching, which emphasized a singing tone and expression, with technique entirely subordinated to the intentions of the composer. One of her students, Mathilde Verne, carried her teaching to England where she taught, among others, Solomon; while another of her students, Carl Friedberg, carried the tradition to the Juilliard School in America, where his students included Malcolm Frager and Bruce Hungerford.
Clara was also instrumental in getting the works of Robert Schumann recognized, appreciated and added to the repertoire. She promoted him tirelessly, beginning when his music was unknown or disliked, when the only other important figure in music to play Schumann occasionally was Liszt, and continuing until the end of her long career.
5 Surprisingly deep benefits of listening to classical music

Even for a country or rock fan, classical music can reduce stress and boost creativity, among other things.
Many of the greatest classical composers attributed their masterpieces to their worship of God. Johann Sebastian Bach once said, “The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.”
Classical music provides its listeners with a number of benefits, both physical and psychological.
1. It boosts brain power and creativity
Craig Ballantyne, editor of the self-improvement website Early to Rise, explains the “Mozart effect” as a mental result of listening to classical music, particularly Mozart’s. “In a controlled University of California study, students who listened to 10 minutes of Mozart before taking SATs had higher scores than students who didn’t,” explained Ballantyne. He also pointed to a study done by the University of Washington in which copyeditors who listened to classical music while editing caught 21 percent more errors than those who did not.
Author Cinda Yager raves about the psychological effect that classical music had on her. “Encouraged by the music, my imagination came out to play. It played through scenes in the novel I was working on, presenting solutions to problems, giving me ideas to flesh out characterizations, suggesting necessary edits I had not seen before. This was amazing to me.”
2. It deepens musical appreciation
The instrumentals contained in classical music are unlike those of any other genre in their ability to reach a person. Fittingly, Albert Einstein once said that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.”
3. It has healing properties
If the sound of classical music results in water’s formation of elegant ice crystals, one has to wonder what it can do for our bodies, which are made up of 70 percent water. The man responsible for the study, Dr. Masaru Emoto, “sees energy as vibrations moving through matter.” These vibrations include the sound waves of music, which can affect us in various ways. Dr. Emoto refers to the vibrations as hado. He gives several examples of specific classical songs and their healing effects.
4. Acts as a stress reducer
PsychCentral reported that classical music “can have a beneficial effect on our physiological functions, slowing the pulse and heart rate, lowering blood pressure, and decreasing the levels of stress hormones.”
5. It aids in expressing one’s emotions
Southern Methodist University conducted a study in which 85 individuals were asked to verbally reflect upon their life’s most significant experience. The participants whose interview involved classical music playing in the background were found to be more expressive and detailed in their reports. This is because classical music is “cognitively and in turn emotionally arousing,” the report concluded.
Having trouble articulating your feelings? Try listening to some Mozart or Beethoven and see if it helps you express your deepest self.
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