"Joy in the Congo" seems an unlikely -- even impossible -- title for a story from the Congo, considering the searing poverty and brutal civil war that have decimated that country. Yet in Kinshasa, the capital city, we found an unforgettable symphony orchestra -- 200 singers and instrumentalists defying the poverty, hardship, and struggles of life in the world's poorest country...and creating some of the most moving music we have ever heard. Follow Bob Simon to the Congo to hear the sounds and stories of the Kimbanguist Symphony Orchestra.Beauty has a way of turning up in places where you'd least expect it. Kinshasa, the capital, has a population of 10 million and almost nothing in the way of hope or peace. But there's a well-kept secret down there. Kinshasa has a symphony orchestra, the only one in Central Africa, the only all-black one in the world.
It's called the Kimbanguist Symphony Orchestra. We'd never heard of it. No one we called had ever heard of it. But when we got there we were surprised to find 200 musicians and vocalists, who've never played outside Kinshasa, or have been outside Kinshasa. We were even more surprised to find joy in the Congo. When we told the musicians they would be on 60 Minutes, they didn't know what we were talking about but, still, they invited us to a performance.
We caught up with them as they were preparing outside their concert hall, a rented warehouse. As curtain time neared, we had no idea what to expect. But maestro Armand Diangienda seemed confident and began the evening with bang.
The music, Carmina Burana, was written by German composer Carl Orff 75 years ago. Did he ever dream that it would be played in the Congo? It wouldn't have been if it hadn't been for Armand and a strange twist of fate. Armand was a commercial pilot until 20 years ago when his airline went bust. So, like ex-pilots often do, he decided to put together an orchestra. He was missing a few things.
Bob Simon: You had no musicians, you had no teachers, you had no instruments.
Armand Diangienda: Yes.
Bob Simon: And you had no one who knew how to read music?
Armand Diangienda: No, nobody. Nobody.
Armand's English is limited. He preferred speaking French, Congo's official language.
Bob Simon: When you started asking people if they wanted to be members of this orchestra, did they have any idea what you were talking about?
Translation for Armand Diangienda: In the beginning, he said, people made fun of us, saying here in the Congo classical music puts people to sleep.
The music, Carmina Burana, was written by German composer Carl Orff 75 years ago. Did he ever dream that it would be played in the Congo? It wouldn't have been if it hadn't been for Armand and a strange twist of fate. Armand was a commercial pilot until 20 years ago when his airline went bust. So, like ex-pilots often do, he decided to put together an orchestra. He was missing a few things.
Bob Simon: You had no musicians, you had no teachers, you had no instruments.
Armand Diangienda: Yes.
Bob Simon: And you had no one who knew how to read music?
Armand Diangienda: No, nobody. Nobody.
Armand's English is limited. He preferred speaking French, Congo's official language.
Bob Simon: When you started asking people if they wanted to be members of this orchestra, did they have any idea what you were talking about?
Translation for Armand Diangienda: In the beginning, he said, people made fun of us, saying here in the Congo classical music puts people to sleep.
But Armand pressed on. He taught himself how to read music and play the piano, play the trombone, the guitar and the cello. He talked a few members of his church into joining him. They brought their friends which brought more problems.
Translation for Armand Diangienda: We only had five or six violins, he said, for the 12 people who wanted to learn how to play the violin.
Translation for Armand Diangienda: So they took turns, he said. One would play for 15 or 20 minutes at a time. That was very difficult.
But more instruments started coming in. Some were donated; others rescued from local thrift shops -- in various states of disrepair. Then it was up to Albert -- the orchestra's surgeon -- to heal them. He wasn't always gentle with his patients, but they survived. Armand told us that when a violin string broke in those early days, they used whatever they had at hand to fix it.
Bob Simon: You took the wire from a bicycle?
Armand Diangienda: Bicycle, yes.
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